米兰+\九口径

简介

Fernando Di Le !%\o's Mila[n\$o C[ alibro &9 is a%"n out [*!-and-out mast)erpi#-ece "(of It(&-alian$_] Crime cinema a==nd, in my opinion,[' o->ne of the<  = (most astonishing crime_] stories +eve,>>r '_=_told. T\h @e '>`/first film i ;]n Di Leo's_ excellent 'M[ ilieu' tri[:logy, Milano Calibro 9 was fo]<llowed b?y La Ma/la Ordina (aka. Manhu" nt, also 19;72-).] and the b`!rilliant Il Boss (1973). The three films are not connec^(^ted story-,wis: e, but all three (are excell-#en'& t, a nd hig<hly realisti`^c!! po`rtrayals]+
.? of organized /$&cri!>/me. As`^ f ar as I am ?conc$>*erned Ma^nhunt' i`
s\@_ (allth]_ ough] ex';c:<ell:'ent) slightly inferio*r t*#,
o%'= this! : one and Il Bo/:=ss which both ?&_stan*d out a^_s absolute all-tim[ e hig-hlig^hts of cri-,@ me cin;.@ema. M^+il#ano<!@[ Calibro 9 is + the best,[ of them)- /@all," a f* #)ilm tha.%t is ast*:+
onishing `(-in all aspects, be it the i+[)ngenious ,p +!lot& t> )hat>*, ap.
art from a compell]<ing sto.@>ry and' clever t [-,wists, >`inc;!ludes& social crit\#=i^ %cism, the p"
!erfo"_rm$]?a#&<nces), the gri.tty atmosphere and sus",>pense or t]`he . ;br%]illiant sc/ ore. I c=,an har
dl\;`/y find the right w.or d\,s to exp^>< re-ss,& [@m y" admir@ ation fo \r this ma` sterpiece =+)
which-'! eas'`$il""y rank<_s a!!.mong the gre,;#atest Gangster fli'= cks ever@ brought to sc-
)reen. 　':　Gastone)"<& Moschin sta#rs as Ug,-\o Piazza, a tough%# and (!ellipt'*i]/&cal ex-,/con^+'vict :#=<who  `has j:=ust be
*".en* ?released '=fr/om"' prison. Immedi+at +(ely=_ af/ter his $rel:_ease,-@+/' Ugo!&] is approa ch@-*ed by membe.r\&&,s of the Milan m]ob< le]ad by the irascible>- gangst"e r Rocco (Mario Adorf), >) as they!( su*)\+spect h`!im to be re:$s%po: ns@]ible f/or @?the d>;i?&' <sappe`arance
* of@%>% a large sum%^# of money _ belong
/=<in`?:[g$  to t`:),h:)ei '*>r `^%bo=.ss, an Amer%^>ican (Lio&[nel Stander`^) who controls@ the orga:nized crime in Milan... "<&　　Mila*]no Calibro 9 i-s^= a fi,! lm t%hat\/& deliver`s an astonis +hingly realistic mood of th*e under$]worl,d like hard`/>ly-_ ? ano! %ther.?+, The int_ ri/=\guing storyline>= goes>?\" i`& n han^(/*d #with in .teresting charact$
ers, raw atmosphere,:" s
#<\us'?(pen)se and br;eathtaking action, s#)$ocial cri_>ticism an(-=#d bruta_?l violence. Th# e f%ilm /is ]\=simply#? @ stunning from the beginni"`ng to the end,\ w hich is e!ven \\intensified by th" e b>rillia:nt score@?,$:= a col'+la &?bora'=.t<*@]ion of/ the fa]=mous c[&+omposer Luis Enr/:íquez B'acalov* and the It/
alian Progres si#!ve .Rock ba=$n_#%;d Osan;^n@/a. U<'=]go P )ia(zz'>a must be o'ne o *@f the most c?harismatic# gangster chara;@$c_]ters ever in cin]e=-ma, and Gastone Moschin +(was the pre.;[fec@ <t choic ?e fo*$!r the! role. Moschin delivers [%a. brillia+nt performance#*$, and the rest\ of ,#*!the cast /%^is als%
o gr) "@eat. Mario Adorf is irascible like<> a ra/bid )dog` as t_he ferocious gangster Rocco, a role that fits/ him lik e a !glove :`-. %The great '"Lio-?"nel Stander'_+ > ^fits perf(ectl.+ _y i \n his role of;<& the Amer^ ic:)%an Mafia Don.　　The t +'wo cop cha.'racters &\i n the film are pl+%ayed by two of the #@g\reatest regul[ar@%,s of I%tal! ia*>n ge> _nre-c#%/inema, L''u(]igi Pistilli . and Fr;a[
nk Wolff@.] (who?`- commit:&&t :_-ed suicide bef
.ore the film was released!). The /ravi;s
>^^hing"!] Barb[*ara B/\o uchet is ?\!astonis!hing and incredibly sex?@y in the role of Ugo Pi azza'.$s s_/trippe&+;"<r girlfr:>\iend$>.&- [$Bouchet  is both a s!(tunni ?) n(g '%:beauty and a@';n %[excellent actres:s and this is doubtles%<&sly one of he)r most <memo(rable ,;roles. This;
is also a" _=politic_al fi#.+lm a:".n,d d$` irec&t]o%r Di Leo embedd *e_-d a lot of :).so% (cia[__l critic!%i@?sm abou/t t:_o&& 'pics li<ke corruptio)n. T'his film\ simp.ly has eve@*rything.+ one can po
;ssibly *@desire in cinema.)!? +[Film%+s like M=ilano " \:\Cal#i
bro 9 ^>are the r[_%easo.&n "why I love cinema. Th]is is a
:n absolut*%*e mast%e<rpiece [in
a_'+l>-_l r`(<egar?ds=! and, with(out exag+ge`.ration\?(), one of t#<>"he greatest Cri->me fli cks? ever made! '<-The in;.g<& )@e)=niou-?s` @.ope/ni*ng^@> scene alo<'"ne is more .%`memor/\.able th-an most f,ilms get i*n two h[?ou\,:rs.