难以置信?]的事实

简介

Fraug!<)ht  with o?`<v&+er obvious symbo
lism, Hartley's early -fea-ture ^\_is noneth< &eless a joy% to wat:ch. )&';Hal her%e shows us his uncanny^ ability_] to cast his cha<@@r\!)ac!] ter@ s perfectly cam%&:e ear@ly in his career.　　?])Adr]@ienn)[];e Shel@ley'+ is a near pe'&[rfect`=^/ foil to he#rself, equal parts annoying teen burgeoning in>`
/ her sexual
ity (thoug?h using sex fo(r se,,veral-
\
years); ob #sessed wit+=+h;> doom and& ; inspi!red by idealism g%<%/one w:$ron%g s;[he" is d eceptively – a,(,^nd sim]^ultaneous^@ly'#) –"'* :-_complex _a>,>" nd simp+ le. '/(Her A^ *udrey i nspires. so,
 m\=any l+\=>ev*#els of, s$?)y#*[mbol`[=;ism it =(.is almost /embarrassingly^] ri<.``ch (e.g^-., he r mode)<]`lin;+$g care>-er begi
%nni?ng with photo s of her fo_
o=((t – .'culminatin>
g her d'oin<!g n ,",ude (but unseen) ) work; #Manhattan move; Europe trip-,;_: her stealing, then sleepi$,,ng wi[@;th the mech@anics 'wre'nc!h, etc.)　　As Josh", =Robert/
Burke
 giv% es `
&an abs`>:ol,"(utel.)y master^-ful\`]\ #<perfo *, rman;ce. A reformed ^_p `>risoner<` -p`<?enitent h!]
e#)? returns to:;@ his home tow_#n to face down p&) <ast de\mons,< acc,]]ep(!]t his lot and'( be+ "gin[' a new .>li\-/f$e.-./ Dressed in bl<?ack, and .=')repeat_= `e&?dly mistaken for a p)>riest, h> $[+e \!!corrects everyone (I'm .a mech'a\%nic**),'['! yet[\! !t-he ]symbo:*lis<m is rich he abstains from@>> a=.@l\_coho-l, he pr.[a["(ct)'\ice(#s celibacy (is,^@-! in
: fac@$t a vir!>\>(gin), and,/< se emingly has taken :%on vo]`^ws/_> of pover?)\t?%y, and +hu`m!
ility a(s w;;e@ll. The "hum*ility _=@seems hardest to sw, (@allo:&!w seeming, at times,"!. a
@]l`most +fa@ls)^(e, a pretense. Yet, *,)[as we lear/>/??n more o[/f Josh we see g`enuinene,'ss in his m "od)#esty*., that his hum$..ilit'[\y is indee.d ear.[n,]est and bel` ievable. What seems ironic is the ] c
>&ha:&!r&;acter is fairly forth ri"
ght .in h==is simp\-&licity, yet so rich^&ly drawn it beco[mes&_$;_ th "e viewer who wants to?/= make h@im o=ut as mor@+
e than  what he[= actual)  :ly is. A fascinatingly'$ ,]*written charac>ter, per_]f>`%#ectl-!/y played.　　Th[$e scene betwee@n Jo:sh an<
-_d Jane 
"(a won:der\ ful, young@" Edie Falco
* ; . ')$. . You need a woma#;n@ not a<[ girl) is hilarious . . . real. But Hartle[[y can't le^[ave i] t a`s\@( s, /uch@-[ and his t_/ri%]ck, having^\ th,e a)>\-ctors rep&eat t]+he dialogu/e over-"+an#d-)@over becomes f+^rustr\atin> g"ly arty and annoying . #.]/ . until/ again it become-- s hilarious. W ha]/t a ter==r$%ific sense of b**izarre re,!al[$/
ity this len,ds the fi+ lm (like kids in a _perpet&(&ual am notare too argument).　　Har !tl^ey's]' w(%>eaves all of a" s_mall ;nei`ghborhood's idiosyncras / ies into a#; tap#:es^*try of se!= emi'!ng s^tereoty\<pes bu_&t (which delv$e&s `"far ben> eath# the:] surfa ce,_> the catalyst bein$&g that ev\^_eryo[:%[ne[/ bel.ieve?*s the/`
y kno,@w what the]] "unbelievab/[!le tr[\.(uth of th/ e ti#+-t>[le is, y\$et no two pe$ople ?
can@$_ _^agree (inc=)ludin '`g our hero) on .@what exac]tly tha`
t tru&th is.] A wonde) r(:ful l#?(%ittle movie^ wit;>h,;( some big
< ide,^!as.