狂野"街头

简介

Des+erve[s re.^cogni#^#/[tion as< an interesting< misunderstanding of ) +t(he hallucination g[en(-era\ tion, 20 January $/2007　　Author TimothyFarrell from Wor,(cester, MA;[$　　Wi&#l`<+d in th]\>"e S\*treets come=s from-_( the same sc!$+hool of film makin!g that spawned othe'r attempts [to co(nnect +to& the `) counterculture such as Skidoo $and Candy. The difference betwe;en this and the af[)or`:e@+'men$tio*ned %films i@s t#%hat$ Wild i,<n ;]the Streets is #reas;
onabl_y c]\`=lever a< nd well-made*,. It isn't sympathetic- t!-%o[$ the co$=u`:`nterculture a
nd wi_ll @l.,ikely offend )*@t]hose `#with fo >
"nd memories: o>_f the time$.%.!?*: @'Su(rp .risi
.ngly, it was a b@ig h*it '
when r\#eleased [and appe@al,';ed to the you&#th$+ +$@who%m (

:i<t/ -r\\/idicule"d s&_o much. Unlike The Trip and Psych-Out ($tw o other AIP f"$, +ilm;_s)\^ , it-\@[s not a][n a,#ccurate !<%repres
&'entation of the moveme$>nt at all. Ho/wever it does work as soc?ial satire.　　The direction b
#y Barry Shear is good @ and m<,?akes#> .innovativ#;
]e ?=use of@/> split sc,reen photography
. Pl-
us, @%h e ke^eps _:ever. ything*`; moving at' _' a quick p&=$ace`.'`# I <'n it@=s+\ fu!nny moments, +[the film works w^[]&ell=. In it`)s attempts @-a.t dram-a, its help@le;ssly da(ted and just as fu*;#nny as the humoro[us mom`'?+ents. Christopher Jo@ne
s **#under-` /plays hi%s role a)<nd "Shelly &^W$ =int-er#s ove)_racts.-$ Hal Holbro)#
o?k o
^) ffers the /"be+.)s%>?,t performance "a @nd Diane Varsi achieves the rig&_ht no\]te of grooviness. The sc]"ript by R[@obert Thom h#as i@ts mom>ents, e - =specially the endi/(ng (e`asily the m((o-st-> ingenio u/<s part of the fi(lm)."` _&Wild in (t:
he >]Streets isn't pe,$rfect =, but d,eserves rec _ognition as a @n 'in)&^te" r
esti-[n@/)g ^.m ]isunders('tandi_?ng of the hallu
-:^(cinatio=])n gen/<erati on. Tho^\`se into this;` ki[nd of (kit'"sch will e#njoy it the@ most. I'`.'d $\#rather watch The Trip or  P#[sych-O.?ut however. #\)(_610)　　-from % ;>i^ mdb