造物^#的奇迹

简介

Wun *der d_$er =Schöpfun,/g is an extraordinary, fasc"inatin"g Kulturfi^lm trying to explai%n t"he ?,whole human %kn?>owledge ?of & the _1920s about th'" e world .and.; t*-!(h\e un(++iverse. 15 <^special\]? effec ts expe,rts and 9  cam,,,eramen were "
/,involv,_,e] /d i?)`?n the pro:[ducti`]!on of this film whi->ch *-;(combines d[^ocum*entary scenes, h:#istori /cal+#$ documents, f%iction e% lem )!en!(ts, an*imation "#=
sce/)]#
nes and education^al@! imp-?act. ?/It its +beautifully c)"@^`o
lored,,.# us((i>ng _]tin`^*"ting #and toning in a\ ver
,y +elaborated w(>(ay. Some visu`#al ideas ]".*[in the se=`quen;^>@ces)^ with  a sp)#ace shu<\t)^t;le,!=$ visit[ing (\ different planets; in th`
$e ;$?=u"niver* $se `"s^eem]% to have to be t he inspiration for Stanley Kubrick's 2<\00 _1 A Sp.ace Odyssey [.　<　I> (n the .(;c^^%on "text=_:- o+f G\@ermany :': s Kult"ur;+fil-m ^phenome)\non `, Wunder der,[? Schöpfun^:g was among the _[ $"great.e= )st ach\?iev(emen#ts of the 1920s. The /produ=ctio]>n w;.?`as construc#?#]!ted, rehea>/rs!%"(ed, and sh.\ot ov
/er:& a period of two and a h,:@a\lf years.,$_!; under `$ the super`!vi)?si#]on of :\)?%Han<ns Walt@e_

r Kor*n>(blum. The_  id/"]ea to __'=describe the universe and man's pla*`ce .+in it well su\  i$"ted <!U" F<@\=A's;%= Grossf[,@ilm mental`%ity, one year _*
%before t_"^he Metropolis catast*[r.] ophe. Hundreds; of skill,/ed craft;>smen-[ /-partic`-ipa%<ted in the proj*'&ect), bu:&/
ilding pr+ops `%and constructin- g scale - ?:m,*odels drawn
. by 15 sp,%
ec. :ial e:'ffec<t]$ s d!`*raughtsmen, while^( [9 ?cameramen in separate:/*^ unit =/s work-<ed on the h#?is[torica&l, doc+'ume%;ntary, f[\i\+ ct-ion, a:nimation,\$: and# science-f>ic _<tion seq[&"'uenc?:es. With@_out sta_r$) ro"(les or even protagon ists,;^_ the =_film's plot is crowd?;&%:ed w_ ith meticulously structured&" and ski*#llfully
 ac,ted si^?ngle scenes an a&%(rt>ful mo"
-saic of small/ vignettes. No l<>
_ess t!han four c)redit@>!`@ed uni(]versit/y pr-o$` fessors ensured ]>
the^? fact*ual background_ ) behind the scie'n$t"?ific and ^#%histo' @ri)=cal ev"/ent!s p@ortrayed.　　T#"he ## film);`'s symbo\@ <l of progr^ 'ess and the new. sc?ie/n: tific era is a*- spacecraft, ,,travelling through ;:the Milky Way, maki"&ng all t`he p_lanet-;]s '(and their inspiring '%world*s #famil; #iar to us, with 'th]_$e extravaganza\+ of thei_r distincti>
;+ve; f&eatures. The film's edu?? cational i&ntentions, '&#howe%ver,
@ become steadily mor"= e ob_ _s((cure, hu.mor`!ous@, or e' :ven//
cam(
,py as.? th<(is popularization proj:ec('\t proceeds.- ^[ With t@'he ex_-;cus*:$e of prese-_ntin=g the end-" of/ t;he
'!world a not- "so-new co )nce_pt as a new, undeniably s< >cie-ntifi=c= truth, _ t)he film veers,/ happ]^!%ily along a n,)ew path, displaying detailed a!( pocalyptic .scenes o.<f the end of &[manki)]<nd. For [%t:=#oday's a%udien]ces, this amazi!=ng fi@$'/lm demo?nst%^,rates how the unive!((r,)]se was comprehende,d i n the-. #?1920s, and how that vi&ew was;& s>old to contemporary audi]>;e+-nc=es.