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Malvís (A)lfredo Land`a) i`-)\s]# sic`>k of working like c;*=.razy f#.%or nothin-_g. H')e'd ]
_ra+ther become a bandit, t>[@+hat's much]-# better, he=(;'s gonna *be +"the ^
fearf&%ul Fendetestas! He'll sprea@"
d panic in t$*+he )wo
%!ods of hi-
^(s region.+< But there's\$
a little pr+#&^+o
(*blem there : aren';_t mu? #ch people li_'vi<!ng in @,h*is<  reg^?ion, everyone k.now<'s eve` ry"]one$* and e )ve"-ryone= is s?o = ]#p+o(? or\, so is go@?
>nna be diffi:)!cult( that; someone $takes ?`M</a$#:*lv+.ísFende[testas to\(o seriousl(y.　　This is a magi=c history,_ so funn&y, and fu:` #ll of>< s>`ituation _*(s t"*?hat will, m^ake you lau
"";gh. @It's also f,ull of cha!\racters that belong to _:\'the Span?ish idiosyncra@:sy$ the strict priest&@, \""t'!@#he:] ,@Guardia %:Civil,:&*@ the o(ld d &[evout women, ;'the v[i"llage idi/ot... there'[-<s even a lost)&]  soul wand-
(erin$'g aro;,und the woods.　　T= :he great Alfredo=
Landa h*eads a cast that g`/athe;'#r& $=ed togeth;er the best two/ ge!nerations of Spanish scene from Fer *nando R\<\^*ey to .Enca<rna Pa;^so<,<%% "]$from Ma;`
nue!l &\Al-@exandre to M *aría Isbert...\.. A >ca "st l!(?ik]e that would be
 _. jus\"=t u&nt#[hinkable nowadays. El Bosq=u[+e " Animado>' wa&:s the *_first mov ;ie#"/ of^/ José \L?'' uis C\uerda's t?%;rilogy of%) rural c=^omedies (after this>]`& on=e h$e+:$+ m+<.#%ade t+:he su%;rrea;-l Ama nece Que&? No Es Poco,^ and Así !(En El Cielo Como En<? La T$;ierra. Thos#$e ar>$e
 movies so personal that stre [ss the Sp.anish cultu`re. The young d%i'rect$< ors should+& take n+ote=+  of f_ilm`;"s like ]El Bo`sque An_.@imado^, instead of trying to be th(>
e new e&\
nfant t@er>rible *\and imitati)#" ng US "!`wor st ci_)-.nema.